The Scoop on the Newseum

Museum guards must eavesdrop on the most interesting snippets of public conversations throughout the day, the kind of stuff you expect to read the next morning in "Overheard in DC". Much of it is likely gossip or assumptions visitors make about the content of museum exhibitions. The Washington Post ran an article a few years ago which suggested that parents often feel pressured to make up answers to questions their children ask if they are stumped. At the Newseum, however, facts are central to the news presentations and programs. So it was with great satisfaction that I overheard teens visiting the museum on a school field trip discussing what they were reading, amazed that truth could be more interesting than fiction.

To be honest, going to the Newseum, billed as Washington DC's most interactive museum, was a bit of an indulgence for me. Admission for adults is expensive at $19.95 (free for kids 6 and under), and I wasn't certain that there would be much to interest my toddler son. But I was encouraged to visit the museum at its new home on Pennsylvania Avenue after reading reviews from enthusiastic parents of satisfied kids on Yelp DC. They were right; it was worth it! I saved myself a little money by ordering advance tickets online for a 10% discount. The tickets were valid for two days, so we passed them on to some friends who were interested in going the second day. Group discounts are also available and school groups can attend for free. A word to the wise, though, some of the material on display is "intense" and may be inappropriate for children or some visitors. Look for signs that provide advance warning for parents and guardians.

The Newseum is within walking distance of Metro stations serving all train lines. Outside of the museum entrance is a display of the day's headlines published on front pages of newspapers from all over the U.S. and the world. On the day we visited, a small town paper in Missouri announced a new performance at a repertory theater while the Washington Post ran a lead story about health-care reform legislation. It was fascinating to see these differences, and I was impressed that the museum updates its displays daily to keep up with the 21st century demand for 24/7 global news feeds.

It's hard to miss the news helicopter and high definition media screen suspended in the atrium as you first approach the ticket counter. It speaks to the airy spaciousness of this beautifully designed building. The exhibits are extensive and varied, spreading across seven floors. We picked up a few informative visitors guides at the counter (which are also refreshingly up-to-date in their description of the exhibitions, including the temporary special exhibits) and took the elevator down to the Concourse level. The food court, aptly name the Food Section, was the perfect place to grab a quick bite to eat. We brought our lunch to save a few dollars, but there is a kids menu available. After taking a closer look at the guides, we decided to take a self-guided tour following suggestions from the "Newseum's Top Ten" and "Two-Hour Highlights Tour" brochures. The "Visitors Guide" contains clear maps that will help you navigate the museum quickly to make efficient use of your time.

We continued to look around the Concourse after lunch. Here we found the largest exhibit of graffiti-covered sections of the Berlin Wall outside of Germany, a Conus 1 news satellite truck (similar to those we've witnessed broadcasting live reports around Washington, DC), and a sports photography display which all captivated my son. One temporary exhibit featured life-size photo cut-outs of notorious crime figures that visitors can pose with for pictures. The school kids visiting the museum seemed to enjoy this opportunity to take pix of their friends since photography is prohibited in some exhibits to protect the artifacts. These include personal effects of journalists (from customized cameras used to capture prize-winning images to battered laptops and other reporting tools), curious objects such as the Unabomber's cabin and a door that "played a starring role in the Watergate scandal", and the in-tact, relocated NBC bureau office of Meet the Press moderator and family-man, Tim Russert. Other galleries showcase original copies of newspapers highlighting important events in U.S. and world history and influential books on freedom from the last 500 years. A Learning Center and Educator-Gallery Tours provide educational offerings for school groups and professional development for adults. We stopped to listen to a bit of one tour and learned that additional resources for students and teachers may be accessed online.

Professional photographers have said that the best pictures make a viewer laugh, cry, or simply feel something. Photojournalists have the distinct privilege and power to make thousands of other people care about their subjects. It was with this in mind that I toured the Pulitzer Prize Winning Photographs on the first floor. Most of the images were captured by career journalists with a few notable exceptions, those taken by passersby who happened to have a camera at the right place and time. Highschool students looking at these photos asked thought-provoking questions, like, "Why didn't he just put down his camera and help those people?". The Journalists Memorial is also sobering to experience and begs the question why journalists put themselves in harms way to cover wars and work in countries that deny free speech and other human rights. Interactive kiosks and games of judgment in the Ethics Center help museum-goers consider the difficult decisions journalists must often make.

The Interactive Newsroom on the second floor provides lighter diversions. Big kids can try reading the news in front of a live camera, and youngsters are challenged to separate fact from rumor as virtual reporters solving a "Who Dunnit?"-type touchscreen computer game. My son enjoyed helping investigate how wild animals escaped from a circus downtown by watching and progressing an animated sequence by touching the computer screen. To observe how real TV studios operate, visit the Knight Studio on Pennsylvania Avenue. ABC’s news show "This Week" is taped every Sunday morning in the studio. More learning and entertainment opportunities come by way of fifteen (!) theaters showing original films about the Newseum, documentary photography, sports history, the First Amendment, and breaking news. The Annenberg Theater even provides a 4-D film experience, "I-Witness!", a 3-D movie (you wear the funny glasses) with motion effects, air gusts, and more. Museum talks and special movie screenings also take place at the Annenberg Theater. See the Calendar of Events for more information.

We appreciated that the Newseum has plenty to interest folks of all ages. The temporary exhibit, "First Dogs: Presidential Pets in the White House" was perfect for toddlers as the photo enlargements were placed low, at their eye level. We voted on our favorite pet by placing a penny in a tube near the display. Other points of interest, especially for families with younger children, are the Comics exhibit on the Concourse level, the Internet, TV and Radio Gallery on Level 3, and the Terrace on the 6th floor. The small comics exhibit only takes a short time to see, and kids will love the colorful Sunday comics on display. There are familiar characters like Calvin and Hobbes as well as the first published comic strips. The Terrace on Pennsylvania Avenue offers a stunning rooftop view of downtown Washington, DC looking East to the U.S. Capitol Building and West to the Washington Monument. An exhibit spanning the terrace rail documents, in words and pictures, the events that shaped historic Pennsylvania Avenue, from Presidential processions to political demonstrations. A 25-foot high multimedia timeline in the Internet, TV, and Radio Gallery reflects the evolution of technology, from radio to the Internet to the Kindle, as it has impacted the delivery of news. Early newspaper editors were considered celebrities and had their likenesses reproduced on trading cards, but the 21st century has witnessed the general public using "the power of the mass media" via social networking media like Twitter and weblogs.

If a trip to the museum doesn't fit into your budget, the Newseum website still has something to offer. A news trivia game and virtual museum tour are available on the Fun and Games page. Online galleries featured on the Exhibits and Theaters page showcase the work of news photographers. By the time we left the Newseum that day, though, I better understood why the admission tickets allow entry for two consecutive days. We appreciated every minute of our visit, and there was still so much left to experience. While I had blown my activity budget for the week, I felt better knowing it went to support a worthwhile cause.

Mother as Muse

Hermann Hesse's Narcissus and Goldmund, a profound epic describing the dichotomous nature of the life of an artist, is one of the few novels I have read several times in my life (most get one chance, then I'm on to another must-read). In my first post, "Living the Impossible Life", I introduced myself with a favorite quote from the character Goldmund. A sculptor, Goldmund uses the term "bliss" to convey the state of mind he seeks both as a student of religion, an artist engaged in the creative process, and as a man traveling the world in search of his muse. He looks to God and to the image of his mother, his own creators, for inspiration and ultimately accepts that his artistic development, life experience and happiness are integral. He cannot fully realize one without also nurturing and making sacrifices for the other.

Minimalist sculptor Anne Truitt's (d. 2004) Daybook: The Journey of an Artist is another book I have been compelled to reexamine. My appreciation of her whole life, the public life of a successful artist and the private life of a Washingtonian, changed significantly after my son was born. I now understand the weightiness of her seemingly simple decision that dirty dishes remain unwashed in the kitchen sink during childrens' nap times; she seized the opportunity to work in her home art studio at the expense of tidy appearances. But more stirring was her disclosure that her early pieces, sculptures of the "marked, used" female form, "failed" in her estimation. Having been misdiagnosed as sterile and told she would never have children, Truitt was haunted by this physical "deprivation" and feared that her work would lack the "vital force" of assimilated experience. Reflecting back on life during her 50's, she asserted that her career was the only enterprise she made successful entirely by herself, but her three children were her "greatest blessings".

Family and home have long been pervasive themes in my artwork, whether it be capturing images of relatives and close friends or scenes from the neighborhood. But I returned to Hesse's and Truitt's writings for a little perspective after a month during which I infrequently raised a camera to my eye. Instead of documenting AS's every new accomplishment in pictures, I exhausted my reserves in hot pursuit of a toddler boy who very much wants to wander and explore, often into harm's way (not so unlike Hesse's Goldmund). The artist in me, for whom creating is vital to well-being, needed gentle reminding that my son and I are collaborating in the most creative endeavor, his development.

Gretchen Ruben, an urban Mom and author of The Happiness Project, deduces that mementos help prompt positive memories and that "recalling happy times helps boost happiness in the present". So, instead of fretting about the serious art that is not getting made since I left the teaching profession to be a SAHM, I try to remember all that I have accomplished during my first momentous year as Artful Mom. I pull out an album of our mementos, snapshot photos I have diligently taken and archived, and place it on the floor. AS sits in my lap and helps turn the pages. He identifies the faces of his parents and grandparents and flashes smiles of recognition at his own image. We love looking at the photographs together, and this motivates me to pick up my camera again. While I take pictures of AS, he experiments with an old 2.0 megapixel compact point-and-shoot. Digital cameras designed for kids are available in toy and camera stores, but this hand-me-down seems to do the trick. AS already knows, from seeing his parents model the behavior, how to hold it and push the shutter release button. He immediately looks at his LED screen for playback of the digital image and shows it to me. A third book comes comes to mind, Show and Tell, containing photos of city life by artist Thomas Roma with written commentary by his son Giancarlo who was eight years old at the time. Giancarlo selected the pictures to be used for the book and thereby turned the process of creating it "into a dialog between father and son".

That afternoon, we look at newsworthy pix from an on-line gallery at WashingtonPost.com. It proves to be a great opportunity to introduce AS to new vocabulary and help him see the most basic elements of an image, such as colors and shapes, which I point out or trace with my finger. This is similar to our experience of looking at photographs together at the Newseum or in the West Building at the National Gallery of Art. As I carried AS on my hip from room to room to view the prints on display, I talked to him in clear language about important details, including features of people's faces and clothing. AS enjoyed seeing the images from my eye level (as opposed to the lower vantage point of the stroller), and I was able to keep his interest by talking animatedly and gesturing to parts of the pictures. While we were at the NGA, I overheard a wonderful mother of three older children, probably between ages 5 and 9. She asked her kids a variety of short questions about the pictures, praised their responses, and modeled good learning practices by reading information provided by the museum to answer her childrens' questions when she didn't already know the answer. A book I later discovered in the juvenile section of our library, Tell Me a Picture by Quentin Blake, provides examples of questions parents can ask their children about art.

Documentary photography, maybe more than any other type of photographic imagery, seems to have immediate appeal for young people. Perhaps this is because kids can better relate to images made directly from their world. In the 1980's, Jim Hubbard, an acclaimed professional photographer, began documenting lives of the homeless in Washington, DC, and found children he photographed especially eager to look through his camera's viewfinder. Many of these children were from low income families that suddenly fell upon hard times, such as the death of a parent or a parent's loss of a job, and were at risk of being lured into gangs and illegal activities. Hubbard was motivated to establish, "Shooting Back", a program to help children in shelters develop skills to increase their self esteem and to learn about legitimate career possibilities. I often shared a documentary film about "Shooting Back" with my own students to raise their social awareness and prompt them to act.

In 2002, I had the pleasure of attending a workshop for DC educators at the Corcoran Gallery of Art by photographer, teacher and author, Wendy Ewald. Ewald has helped build darkrooms and bring the power of photography to disadvantaged children and their communities all over the world. She discovered that children, "insiders" in their communities, often take more emotionally compelling photographs of their families and neighborhoods than do professionals who are "outsiders". Ewald applied for grants to purchase Polaroid instant cameras and film for the children, empowering them to find their own voices and to become ambassadors for their communities.

The success of Hubbard's and Ewald's efforts with children motivated me to begin a mentorship program at the high school where I taught. Teenagers in the advanced photography courses were challenged to apply their knowledge of photography and writing to teach elementary school students, for whom English was often their family's second language. We used the childrens' own images of home life, captured with simple Kodak one-time-use film cameras, to inspire their creative writing and help improve their literacy. One of my high school seniors adapted this program for the Best Buddies chapter at our school, creating friendship and learning opportunities for people with intellectual and developmental disabilities. She is now teaching photography to inner city kids in Baltimore using inexpensive, plastic Holga cameras while she completes her degree in special education at Gaucher College.

These personal experiences, however, did not completely prepare me for how to introduce the magic of photography to my very young son. Nor did a quick tour of photography websites for kids on the web (Google: "teaching kids photography"). So I looked to my original role models, my sensitive, right-brained parents. Art-making became intrinsic to my life in early childhood due to their efforts and understanding of it's value. Mom encouraged my natural interests by keeping art materials and books on hand, enrolling me in classes and, most importantly, earnestly participating in art and craft projects with me. My father and paternal grandfather were avid amateur photographers who also shared their equipment, knowledge and enthusiasm with me. I first fell in love with drawing for its immediacy as I urgently recorded the real world and shared the stuff of my imagination. As a teen, I inherited a small, portable single lens reflex camera and created lasting images of beloved people, places and things, reconnecting with them through the process. Smitten, I went on to earn a BFA in Photography before earning my teaching certification in Art K-12.

As an artist, I found encouragement in knowing that I could not fail to make important images if I was photographing my family. As a teacher, I led by example and shared my work with students as they shared theirs with me. In this way, we learned more about one another and about Art. My mantra, photograph what you are passionate about. If an image ultimately lacks artistic relevance, it will still have personal value. This is the thing I want most to share with my son about art-making, the special and limitless rewards of following your bliss.

Lions in Winter

There is something especially wonderful about being one of the few people strolling on a quiet city street early on a Sunday morning, or in an empty movie theater watching a weekday kiddie matinee, or at the zoo in the calm chill of January. It is the illusion of feeling as if the world just exists for you and your child.

At the Smithsonian National Zoological Park during less crowded visitation times just after the gates open or before close, especially on a winter's day, AS and I have observed the most remarkable animal behaviors. A drop in temperature seems to invigorate animals native to cooler climates, such as the Andean Spectacled Bears, and at dusk nocturnal animals begin to rouse from their daytime slumber. We have had the fortune of hearing the unmistakable whooping of acrobatic White-cheeked Gibbons and the howling of fox-like Maned Wolves and of seeing a deft Fishing Cat tap a paw into a pool of water to lure and catch its own meal. I watched breathlessly as an orangutan scaled a tower at the Great Ape House and traversed the O-line, the zoo's highwire Orangutan Transport System, directly above our vantage point on the Olmsted Trail, and AS beamed to behold six Asian Small-clawed Otters cavorting along the bank of a stream where they mostly pass their lives basking together in a charming heap.

Indoor exhibits, like the Reptile Discovery Center or the Small Mammal or Bird Houses, provide the perfect place to warm up. These exhibits and the animals that inhabit them tend to be smaller in size, so it is easier for small-fry to observe them more closely. Staff members and knowledgeable volunteers are happy to answer questions and encourage children to touch and interact with curious objects (such as plant seeds or fragments of bone, horn or fur) on display. You may also watch keepers feed the animals throughout the day. The daily schedule of activities and demonstrations on the zoo website lists animal feeding times for the minutest insects to the greatest mammals so you can plan your visit accordingly. Activity sheets, such as scavenger hunts and "Zoo-per Bingo", may be printed from the website ahead of time to help enrich your child's experience. In the Science Gallery adjacent to Amazonia, an exhibit highlighting species from the tropical rainforests of the Amazon River, children may emulate research scientists in the field and lab by viewing specimens through microscopes side-by-side with zoo staff conducting actual scientific research. Strollers are not permitted in some buildings due to space limitations, so pack light and bring your old umbrella stroller (not the fully-equipped SUV model you'll be anxious about leaving outside).

Outdoor exhibits are also built with the youngest zoo-goers in mind. The Great Cats enclosure features kid-size windows for better views of the lions and tigers. The Kids’ Farm provides opportunities to groom animals such as cows and donkeys in the Caring Corral. Small children may play in the Pizza Garden on a giant rubber pizza playground and learn about the origins of food. Watch in surreal delight as your tot crawls through an enormous olive, stacks larger-than-life mushroom slices and clambers up wedges of cheese like an ant at a picnic.

On Sundays from January to March, bring your family to National Zoo's Visitor Center Auditorium at 11 a.m. and 1 p.m. for the Wild Side Stage performance series for children. These winter performances include "entertaining and educational shows by acclaimed, award-winning musicians, dancers, storytellers, and puppeteers from around the country" followed by special visits to animal houses to meet keepers and animals. Tickets are $7 for adults and children age two and older. Wee ones under age two are admitted free!

Enjoy Halloween by safely Trick-or-Treating together at Boo at the Zoo. Or celebrate the winter holiday season at the annual ZooLights event, an occasion to amble through the zoo after dark to experience dozens of colorful flashing light displays, animal exhibits and live entertainment.
Children especially love to see baby animals at the zoo. A highlight for us this past year was getting to know, Kibibi, the Western Lowland Gorilla born at the Great Ape House on January 10, 2009. The public was even invited to vote on her name. Information regarding animal arrivals, births and hatchings is updated on the website monthly. Some new arrivals to the zoo's animal family are raised at the Conservation and Research Center in Front Royal, Virginia, but photographs by the zoo's professional photographers and webcams trained on the babies are a welcome representative until the animals are ready for their big debut at the zoo.

I was dismayed to read a recent newspaper article in which parents residing outside the beltway resolved never to return to Washington, DC for their children's entertainment after spending $100 at the zoo in one day. What was intended to be a cheap daytrip for the cost-conscious parents became increasing expensive as they found themselves paying for parking, treating their family of four to lunch then ice cream and coffee at a restaurant, and lured to the call of the gift shop.

It is possible to spend $20 or less for a family of four if you plan ahead. Admission to the animal exhibits is always free, and public transportation to the zoo is cheaper than parking there and more convenient. The Woodley Park-Zoo metro station is a short walk to the main entrance on Connecticut Avenue. Pack a bag lunch; there are plenty of shaded picnic tables or sunny, grassy areas to spread out a blanket in the warmer months. During winter, benches indoors are a convenient spot for enjoying a PB&J sandwich and slurping a juice box with your child.

Joining Friends of the National Zoo (FONZ) is an initial investment of $60 for a Household (two or more people living at the same address) Membership but worthwhile if you plan to visit the zoo often and are eager to take advantage of free parking, 10% discounts in National Zoo stores, a complementary subscription to Smithsonian Zoogoer magazine and discounted tickets for special events. These include annual member events, previews of new exhibits, summer camps, classes and workshops, and Snore and Roar overnights. Snore and Roar overnights? Yes, from June to September you and your Mini-me can camp out under the stars listening to the roars of lions and tigers nearby! FONZ members also enjoy free or discounted admission to other zoos and aquariums nationwide.

Check out the online calendar and website to see when special events are scheduled. The zoo is open every day of the year, except December 25th. Animal exhibits are open from 10 a.m. to 4:30 p.m. November to March and from 10 a.m. to 6 p.m. April to October.

You Give Me (Cabin) Fever

The stork visited our apartment building only once in the five years prior to AS's birth, and the winning family moved to a new house with their first born within months. This suddenly dawned on me during the waning third trimester of my pregnancy, and I wondered momentarily if there was some rule prohibiting children that I'd overlooked in our co-op by-laws and if we would be forced out onto the cold streets of December after one all-nighter with a crying newborn. But AS quickly became chummy with the building's longest resident who is our next door neighbor, several members of the board of directors and the superintendent, securing our family's rightful place here. We also befriended expectant parents living in a similar unit above us when we heard their first child was due the following year, encouraged that AS would have a buddy close-by and we would have yet another reason to stay in our cozy-for-three but affordable home.

AS continued to make acquaintances as he toddled beyond our front door to explore the halls and lobbies of the building at-large with his walker wagon. Following a blizzard, when record-breaking snowfall and sub-freezing temperatures prevented us from venturing outside, the indoor common areas became AS's playground. But after a day or two, something akin to cabin fever set in as we grew weary staring at the same four walls and window views of an alley.

When the snow melted making sidewalk travel with a stroller feasible, we bundled AS up in layers of clothing and sought other public venues for indoor amusement. This proved more challenging on a shoestring budget than heading out to the neighborhood park on a balmy day, but once again the Washington, DC area did not disappoint.

First, we followed our pediatrician's recommendation to check out some free 45 minute introductory Play and Learn classes for children ages 0-5 at Gymboree. Gymboree classes are guided by enthusiastic teachers who refer to children as "my friends" and who balance opportunities for structured movement and independent exploration on colorful pint-size gym equipment that is eye-candy for grown-ups and makes me wish I was two feet tall again. Wooden steps, tunnels and bridges encourage climbing, and sturdy plastic slides and teeter-totters help develop balance. Parents are encouraged to participate in group games that may include singing, hand motions, soap bubbles, wiffle balls, or even a parachute. These activities follow an age-appropriate curriculum geared towards building and exercising the cognitive, physical and social skills of children through play.

Gymboree offers other classes, including Music, Art, Sports, Family, and School Skills, as well as Birthday Party Packages. In fair warning, the Gymboree approach is a bit commercial with images of trademark Gymbo the Clown making appearances in the songs, toys and even on the playground equipment. Employees also follow up with a phone call after your initial free visit to encourage you to pay for additional classes. It was tempting to say "yes" because AS truly did enjoy himself there, but our search to find cheaper alternatives to remedy the winter blues continued.

Getting to Gymboree presents challenges to Washingtonians who eschew driving as there are no classes offered within the city, but the Bethesda, Maryland location is accessible by Metro rail or bus lines. Use the Trip Planner feature on the Washington Metropolitan Area Transit Authority (WMATA) website to find the most direct route and the amount of fare. Maximum fare for an adult is $4.50 per person. Up to two children 4 years and younger may ride free with each adult paying full fare.

Word on the street is that the National Building Museum is the place to take your kids in the city to thaw out. NBM's Building Zone is a playroom for ages two to six (and their adult companions) with activities and toys intended to introduce children to the building arts. A playhouse, plastic tools and toy construction trucks, giant building blocks, and architecture picture books and puzzles are available to spark future engineers' imaginations.Soft-blocks for constructing a seven foot-tall arch with your family are available in the museum's Great Hall. The huge atrium is a great open space for crawlers and toddlers to safely explore while Mom and Dad sip coffee at tables near the museum cafe. Admission to NBM is free (or pay-what-you-can), and the museum is conveniently located across the street from the Judiciary Square station on Metro's red line or a quick two blocks from the Gallery Place/Chinatown station on the yellow or green lines.

Science buffs may want to visit the Butterfly Pavilion at the Smithsonian National Museum of Natural History to get their nature fix in a climate controlled environment until warmer weather returns. This is a great place to get some portraits of your young'un, so don't forget a camera!
All Smithsonian museums have free entry, but the Butterfly Pavilion is a fee-based special exhibit where you stroll among live butterflies and exotic plants from all over the world. Tuesdays are the exception; timed-entry tickets are still required to the exhibit but are available for free at the Butterfly Pavilion Box Office each Tuesday morning beginning at 10:00 am. Otherwise ticket prices are $6 for adults and $5 for children ages 2-12. Tickets are not required for children under two years old.

Oh's and ah's could be heard from AS as we wove between massive fossils in the Dinosaur Hall and experienced the eerie sights and sounds of the Mammal Hall. Visit the Insect Zoo if you can stomach a tarantula feeding demonstration. This may also be the only place in town you'll welcome seeing and even touching a Giant Hissing Cockroach.

Native Washingtonians will be especially interested in the Birds of DC exhibit and the Nature's Best Photography Show. If you're a shutter bug like me, you'll want to see the impressive nature photographs captured by the NBP Youth and Conservation Photographers of the Year. Nature's Best Photography magazine is founded in Northern Virginia but reaches an international audience. A free spin-off publication created by and for young people ages 12 to 21, NBP Students, was launched on-line. Encourage your budding naturalist to get his or her own photographs or stories published!

Take in the Discovery Room before ending your sojourn at NMNH. In the Discovery Room, museum staff interact with visitors and present objects from the collections such as fossils, skulls, and shells. Young people hone their skills of scientific inquiry through close examination of the objects, gathering evidence, and drawing conclusions. Programs are available on Tuesday, Wednesday and Thursday from October to May. See the museum website for up-to-date information.

The Smithsonian National Museum of American History also has a space dedicated to hands-on interactive play in addition to regular museum exhibits where touching objects in the collection is usually forbidden. Spark!Lab helps kids learn about the history and process of invention through games, science experiments, and inventors’ notebooks. My sister jokes that this area of the museum is a potential Purell-fest with the mutual handling of objects and sharing between kids, so bring your own bottle of hand-sanitizer if you're a self-described germaphobe! If you're feeling inspired after your museum visit, the Spark!Lab website includes how-to's for conducting experiments on your own at home. Build a drum or yo-yo out of recycled materials with your child or grow a hydroponic vegetable garden!

The ongoing NMAH exhibition "National Treasures of Popular Culture" showcases artifacts that fall into the category of museum objects you can NOT touch, but we love it just the same. Dorothy’s ruby slippers from “The Wizard of Oz” and Kermit the Frog are on permanent display along side other paragons from American music, sports and entertainment culture spanning the last 100 years. All indisputably worth braving frigid weather to see!

Where do you take your cubs when you come out of hibernation? Let us know!